"I was a bit tragic, if I do say so myself"

I think Jeff Copeland's review of his own book is a scream!
This book is simply hilarious pretty much from beginning to end. It's a rolicking ride up down and all around, from success to excess, and back down into the gutter. Holly simply doesn't apologise for being herself and to me that is what makes a real role model of style.

   The Funniest Book I've Ever Written!!

This book is so funny you'll lay down and scream. I think it's a modern day classic and should be required reading for every literature class in America and beyond. And I'm not just saying that because I wrote it. I'm saying it because I need an increase in my royalty checks because I'm out of cocktail cash and who can function without that?

   "15 minutes up!? What to do now?"

I have never seen one of Andy Warhol's films and that did not stop me from being able to understand this book. Andy Warhol is a peripheral figure here and that helps to dispel the idea that he sucked all of his Superstars dry. Though Holly has intense love-hate relationships with every drag queen she introduces, it is great seeing work on how trans women relate, or fail to relate, to each other. This book portrays George Cukor, the Golden Age film director, as supporting Holly, but in his own biography, the writer noted that Cukor hated feminine gay men intensely. I am not sure which book is telling the truth.

Holly shows how she has seen so much and been through so much. Though she never mentions being directly involved, she stated that she saw the Stonewall Riots as they happened and she remembered when gay men were first coming down with what would be called AIDS. She was there to see the rise of Studio 54. She even mentions being around before the B-52s and Blondie became famous.

Holly goes through the struggles that many transgendered people face. But she is never able to vocalize that or politicize the issue. In this book, she faces homelessness, job insecurity, poverty, and rampant drug and alcohol abuse. I wish she could have pointed to her life as a reason for gender conformists, of any sexuality, to support trans individuals. Then again, this book, and Holly herself, are highly apolitical. Further, her identification as a gay man, a woman, and a transvestite are blurred here. In fact, she goes into detail about her sexual contact with women but speaks quickly of her contact with men. I am not sure what explained the heterosexism behind that.

Though she has seen and done much, Holly is not a role model here. She is terribly irresponsible. She ruins romantic relationships that would have been life-sustaining for her. She lies to people. She runs away from problems, rather than facing them. She never mentions saving any money. She is obviously drug- and alcohol-addicted, but just laughs those issues off.

On the one hand, Holly admits that she is from Puerto Rico. However, her identification with Puerto Ricans, and other people of color, is close to nil. She portrays Puerto Ricans as aggressive and dangerous. She referred to Puerto Rican lesbians as "chili ch*ch*s." She equally says nasty things about African Americans. Though she stated that she supported the civil rights movement and has Black relatives, she pretty much abandons her ethnicity as she arrives on the Mainland. Though she had physical relationships with Latino and Black men, she only romances white men throughout this book. She seems like she can promote gays and feminine people, but she leaves people of color in the dust.

Additionally, though this book is sprinkled with French expressions, one would never think that Holly knew or remembered any Spanish. At one point, there is a headline written in Spanish that is so broken, even a freshman in high school-level Spanish could correct it. Whether this signifies that Holly is illiterate in Spanish or that her writing assistant Jeffrey Copeland doesn't know any Spanish, I am not sure, But it's pretty pathetic no matter what the cause.

The first two chapters of the book differ from the rest of the book. Obviously, they want to place campiness and the height of her fame first before they got into her childhood. Her epilogue says close to nothing. She obviously wasn't thinking hard about the conclusion.